Chicago is a city that loves its parades. St. Patrick’s Day to Thanksgiving, presidential inaugurations to baseball championships, and Helenic Heritage to Pride — there are plenty of opportunities to hit the streets and fly your freak flag. For the 2017 Lollapalooza poster, street artist Pixelpancho played on that tradition and imagined Lollapalooza as an old-timey street fair complete with marching band. His version gets a surrealist spin with the musicians as robots, one of his signature motifs, powered not by gears but by the greenery of Grant Park. While the execution is vintage in style, they march forward to today, when Lollapalooza will once again fill Chicago’s streets with music. We’ve reproduced the art in two very special editions. As with all of our posters, we only print one run and once sold out will not be re-issued.

Commemorative Edition $30 — Offset-printed with four-color process ink on heavyweight, uncoated paper. Includes complete band lineup. 18” x 24”
Signed & Numbered Edition $175 — Silkscreened with 13 colors on heavyweight, 100% cotton rag paper. This version does not include the band lineup. Printed in a numbered edition of 325 that is also signed by both Pixelpancho and Lollapalooza/Jane’s Addiction founder Perry Farrell. 24”x 30”

IMPORTANT INFORMATION:

The accompanying image shows the main poster art only.
All posters will begin shipping in July.

About the Artist
Born in Turin in 1984, Pixelpancho was introduced to color and form by his grandfather, who painted occasionally. With time, his passion for art and design led him to the Albertina Academy of Fine Arts followed by the Academy of Fine Arts in Valencia, Spain, where he obtained his degree. It was in Spain that he became familiar with the graffiti and street art scenes and began working on outdoor surfaces with spray cans and markers. Traveling between Turin and Valencia, Pixelpancho took every opportunity to be noticed on the streets, using different mediums such as tiles, wall painting and sticker/poster art, eventually expanding across Europe.

Pixelpancho’s work is drawn from several diverse influences. Traces of Joaquin Sorolla, Salvador Dali and the political painter group “El Equipo Cronica” to the more modern Ron English, and Takashi Murakami can be seen in his works. Traveling extensively for graffiti jams and gallery exhibitions has allowed his style to evolve from a simple robot character to the more complex compositions in his work today. The narrative in Pixelpancho’s work is driven by a forgotten world that sits under a blanket of dust. In it, broken and dented robots are found decaying into the ground, their iron and rusted copper bodies falling and laying as if discarded into oblivion. Although the scale of his work ranges, the surreal realm is a constant thread, piercing through contemporary and historical references that add a sense relevance within our place and time. The strength of physical and gestural references that humanize these robots results in the artist's unmistakable mark. Found on the walls of abandoned buildings in cities throughout Europe, the U.S. and Mexico, Pixelpancho’s work is an interconnected structure of stories. The murals, the paintings, the sculptures in the end are only a small part of something greater, another story within the ever-growing realm.

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